At Countdown

Here in LA, I'm ready to launch. We are here 2 days with family before catching the flight to Beijing on Saturday. The plan (now referred to as the "wise plan") was to break up the total flight time, reduce the jet lag (by only 3 hours, I know, but it all counts), and chill a little.

Hooray for the chilling part. Unusual for me, I had a lot of tension, preparing to go. Hell, it took me 30 minutes just to write out the cat-sitter instructions, and she already knows the cats, waters the garden, feeds the fish, fills the pond, tends the plants. But all of that was before the dreaded give-Moss-a-pill-every-day period. But I digress.

While we are here in LA, we are kicking back. I am writing a blog post. Tom? He is learning Mandarin. I am not making this up. Ni hao (hello). Ching (thank you). He's having a little trouble with "my wife is bugging me, and did you know she is a CIA agent sent here to foment dissent?"

I do hope we don't crash. Some of you know I am afraid of flying. Not a legitimate phobia, but an irrational panic, whenever there is turbulence, that we will crash  A wing will fall off. The plane will flip over and then nose-dive to earth. We will just rattle to death.

Take-offs and landings are also very difficult, and don't even start me on landing with turbulence. This China trip will reveal the stuff I'm made of. Or not. We have one connecting flight between LA and Beijing. Two connections on the way home. But INSIDE CHINA we will have three different flights, on those little, teeny tiny, foreign airlines that you can't trust to have anti-turbulence tactics or counter-turbulence equipment. (OK, on the bright side, not Malaysia Airlines.)

So, farewell, until I write you from the other side. No, no, not the other other side. I mean the other side of earth. Because we won't crash. We won't crash. We won't crash.

Those Bright Sparks Burning Out

I had a new thought about death today. Or maybe it's really about aging.

My friends may think I dwell on aging--obsess, even--because about 100 times a day I mention that I don't like it. So fine, if they want to call that "dwelling on" it, let them. I just hate this whole growing old thing. The physical aging part. The wrinkles, the aches, the disappearing eyebrows (why is this one for women only?). You know the list. In contrast, I like the psychic aging. Gaining wisdom (anyway, enough to know I don't know anything). Gaining self-knowledge. Gaining perspective.

But back to death. The new realization I have refers to "celebrity death," for lack of a better term. The pantheon of actors and singers and politicians I grew up with are dying off. The inevitability of death seems stronger as their stars twinkle out. I know, I know. If something is inevitable, how can it be more inevitable? But there it is. They were alive to us, and then they died. Elizabeth Taylor, Esther Williams, Nelson Mandela, Mike Wallace, Jack Lemmon. 
It's "What, you, too? You died?" Even George Burns--and he offered such hope for kicking the habit. 

This inevitability of death thing doesn't apply to the young deaths, the deaths that sock us in the gut with their untimeliness. Marilyn, Elvis, Janis Joplin, John Denver, Marvin Gaye, John Lennon, Philip Seymour Hoffman. (And I'm all too well aware that my sense of "untimely" has changed as I've aged. I once thought age 60 was pretty old--time to die. Now 70 is untimely. Give me another decade and age 80 will rock my world.)

As I grow older death seems closer. As it should. As it is. But it seems closer as the light of these people flickers out. 

Hoarding? Not so much

I've often thought of myself as a hoarder. Certainly there is the damning evidence of my overflowing basement and jammed-full file cabinets. And there certainly is the Grandma Myrtie gene. But recently I realized that hoarding is very different from accumulating, which is what I have done.

In truth, I'm quite the cleaner-outer. How satisfying it is to take a load of clothes to Goodwill. How liberating to give the younger generation a bunch of old jewelry I no longer wear, to throw out files no long needed. I have my share of personality disorders, but hoarding, as I understand it, is not among them. 

I've given some thought to this lately because a month or so ago I unearthed  the daily calendars I have been saving for much of my adult life. The oldest I've found is 1975, but I think a small cache of little Hallmark calendars from the late 60s and early 70s may yet turn up. I'm not hoarding these calendars. I'm saving them--the fossil evidence of staff meetings and doctor appointments and book club get-togethers.

I've started a project of extracting a modicum of information from the calendars to record brief summaries of the years of my life. When I finish a year (10-12 lines of text), I throw out the calendar. Ah, de-accumulating in action.

And what fun I have been having! I had totally forgotten about being on a volleyball team in 1978. And I coached Rachel's Odyssey of the Mind team! (It took me a while to decode "OM at my house.") It's been very satisfying to remember old friends I had not thought about in a long time: Diane Keaton (no, not that Diane Keaton) and Barb Nykoruk and Suzanne Hunt

Some calendar artifacts have remained a mystery. What does "Rainbow," occurring once or twice a week during 1987, mean? And who was Annette Bourget, whom I met on Saturday mornings or on weekday evenings? A massage therapist? A chiropractor? A counselor of some sort? Really mystifying is Velma Jean Glowacki, whom I noted was "off" on some Monday's and Fridays. How could I forget a name like Velma Jean, who was so important in my life I had to remember when she was "off?"

I've had to ask myself why I am devoting this time and energy to looking backward instead of forward. Do I feel the important parts of my life are over, and I'm trying to capture them? Am I afraid of becoming demented and losing my life in the process of losing my memory?  In truth, I don't think it's that dark. Mostly I just want to clean out the basement and preserve some data that would otherwise be lost forever. Important only to me. 

Some things are too hard

The final scene in a play I was watching Saturday night drove me to do something I've never done before in a performance: Look down at my lap to keep from seeing it. I didn't want the images of what was taking place on stage to stay with me. Brutality. Ruthlessness. Savagery. Hatred. Before long I also had to put my fingers in my ears to shut out the screams and yelling.

The play, We Are Proud to Present, is about a real genocide, one I had never heard about. It took place around 1900-1910 in what is now Namibia--then a German colony, Sudwestafrika. Dramatically speaking, having an emotional impact on the audience is the goal of theater. I hope they are happy.

It was 1977 when I first recognized that I just couldn't tolerate seeing brutality. I mean really. could. not. I had been very interested in watching the TV mini-series Roots, but I had to stop. The next year, the same thing, when Holocaust was broadcast. I started watching it but turned it off when my stomach got that knot in it.

Sometimes I can get through a short scene--the beginning of Slumdog Millionaire, for instance. I'm so glad I did make it through, because I love that movie. On Criminal Minds--another production I really like--I know now to look out for any really weird bondage or torture scenes that are sometimes thrown in. I can look away or leave the room and come back, and still enjoy the rest of the show.

I won't be going to see 12 Years a Slave, though I really would like to. 

The Macy's Bathroom

As you can see from the images in the mirrors, sinks lined
 both walls of the "sink room. " Each tile was unique. 

 They don't make bathrooms like this any more. In department stores or anywhere. I found these great art tiles in the bathroom of Macy's in downtown Minneapolis, when I was visiting last June. I know what you're saying: "You've been sitting on these photos for four months?!"

 I've learned that the Minneapolis Macy's building was constructed in 1902, and early on was the flagship Dayton department store. My guess is that the aqua sinks were part of a 1950s remodeling. But surely the art tiles are part of the original construction.

Some of the building's other architectural details are also intact. On the first floor I passed some great old ornate brass elevator doors. The elevators were not in operation, but at least Macy's had left the doors in place, for the pleasure of the customers. Well, for me, anyway.

The old Hudson Department store in Detroit likely had such beautiful detail also. In the 1970s I worked two or three blocks from Hudson's and shopped there frequently. Sadly, that building was imploded in 1998. I understand it is now an empty lot sitting atop an underground parking structure. Geesh. 

Coming upon the tiles in the Macy's bathroom made me happy--such lovely art, such a surprise. I love old ornate architectural details (doesn't everybody?). The beauty of its architecture is one of the things that drew me to Washington. The bridges, the buildings, the train station, the lampposts. Fabulous.

If you're ever in downtown Minneapolis, be sure to go to the bathroom.

Embroidery and Other Lost Arts

In preparation for last week's baby shower for Irene, we guests received a square of flannel along with instructions to decorate it in whatever way we wished--paints, buttons, applique, etc. Also, we were to write a note about WHY we had chosen our design, which was to pertain to Irene, the expected baby girl, babyhood, parenthood, whatever.

The square I received was a solid dark brown. What? A baby quilt with dark brown in it? Nevermind. I decided to embroider it with a star. My note to Irene would explain that as I rocked baby Rachel I often sang "Twinkle, twinkle, little star." In the "How I wonder what you are" part of the song I would think about how I wondered how she would turn out--this baby, then this toddler--my own star.

Embroidering the flannel square--hah! First, I haven't embroidered for many years--decades, actually. Second, I didn't have any of the necessary supplies, being floss and an embroidery hoop. My friend Doris came to my rescue with the supplies, and to get a CLUE as to what the backstitch might actually look like I pulled out the fabulous, much cherished, quilt that Mom made when I was pregnant with aforementioned baby Rachel. She stenciled pictures from coloring books onto fabric pieces that she then mailed to family and friends with instructions to embroider the pictures and also their name. The most wonderful part--the part that makes me weep with joy and love and the memory of it--was that each contributor actually DID it--actually embroidered a quilt section and sent it back. OMG. Could this ever happen today? Answer: no. And that was a mere 30-some years ago.

How I cherish this quilt, with sections from all of my three grandmas (yes, three--there was a divorce when my dad was a boy), my best friends, my sisters, Tom's mom and sisters (for those of you who don't know, Rachel's dad and my second husband are both named Tom), my cousin, Rachel's future cousins.

The quilt now resides in my cedar chest, but that is ridiculous. I plan to hang it and decorate the guest room in yellow-complementing colors. I've made it quite clear to Rachel that although this is her baby quilt, it is not really HERS, since all of these contributors were doing it for me and her father, not HER. They didn't even KNOW her. In other words, she can pry it from these cold, dead hands.

The Best Potato Peeler

I finally found a potato peeler like my favorite one that Tom threw out.

When I grew up, we had potatoes for supper every night, so I have peeled a heap o' taters. I like a certain kind of potato peeler where you put your fingers through it and place your thumb on the end of the potato, and pull toward your thumb. And it has a little curvy thing to dig out the eyes. I hate using other peelers.

Tom saw that my peeler had a little rust on it, and rather than get out the S.O.S. pad, he threw it out. That was several years ago, and I have forgiven him. Not right away, of course. But that didn't solve the problem of peeling potatoes. I  looked everywhere for a new one. Googling stuff like "squarish potato peeler" and "old-fashioned potato peeler." Scrutinizing the houseware aisles at Kroger's and Target. Checking out Sur La Table and the Vermont Country Store catalog.

Tom kept bringing home new potato peelers and offering them to me. I have the Smoothglide Peeler, the Good Grip Peeler, the Swivel Peeler, the Rachael Ray Peeler. Nothing works like the old peeler.
But last month I found one at an antique shop in Lewisburg, PA.  I am so happy!

Tom and I stopped at this antique place called Roller Mills, on our drive from DC to Rochester, NY. It claims to have 400 antique stalls, and after spending an hour there, I believe it. I've included some pics for you. Tom wanted to stay all day. I just wanted to go home and peel potatoes.